International Typographic Style (ITS) logos
The International Typographic Style (ITS) is a graphic
movement that began in the early 1900s and
continues to impact the graphic design society to this day. This
movement was characterized by scientific and mathematical conventions being
included to design. The visual aspects of this international “style
include a unity of design achieved by
asymmetrical organization of design elements on a mathematically constructed
grid; objectivephotography and copy that
present visual and verbal information in
a clear and factual manner”(Meggs Purvis, p356). The sans-serif became
increasing prominent in this era, the pioneers of this movement believed that
the sans-serif typography expressed an age of innovation and progess’ and that
mathematical grids are the “most legible and harmonious means for structuring
information”(Megg’s Purvis 356).The pioneers of this movement were highly educated
in the Arts, and most of them received their foundation from the Bauhaus.
Today we’ll be discussing 5 logos that reflect the
International Typographic Style’s principles and style, but before we begin, I
feel it is fitting to look into a brief history about logo designs.
The word “logo” is derived from the Greek logos, which means both “word” and
“rational thought”. Looking at this, it is therefore fitting that the word
“logo” is generally accepted in English and many other languages as a
“pictorial sign”, usually referring to a brand.
The earliest logo (also called marques, trademarks and
brands) were applied by hand to crated, pitcher, and bttles so that merchants,
innkeepers stage coach drivers and dock handlers could tell to whom the contents
belonged. Consumers at that point weren’t the target audience.
(www.denzomag.com/2012/09/60-awesome-logo-designs)
The “HAPPY QUOTE” to the, conveys elements of ITS due to the
choice of font that is used and the way in which it is structured. The use
of the slab-serif used in the
logoderiving from Herman Zapf is displayed in a playful manner, just as Herman
played with his typefaces.
(www.denzomag.com/2012/09/60-awesome-logo-designs)
“Safety” the logo
says it all. This logo proves Emil Ruder principle in which “type loses it’s purpose when it loses it’s
communicative meaning; therefore legibility and readablilty are dominant concerns.”
“Renault” the
automotivecompany implemented asymmetric organistion of design elements to
achieve it’s iconic logo. The type used is a sans-serif, which was prominently
used during the 1930’s.
Paul Rand’s IBM logo was definitely ahead of it’s time when
it was first created. This logo was directly influenced by the International
Typographic Style era. This timeless logo still thrives amoungst modern brands.
Sourced Images
- www.denzomag.com/2012/09/60-awesome-logo-designs
- http://www.hongkiat.com/blog/logo-evolution/
- www.smashingmagazine.com
- www.abduzeedu.com